动画师与 AI 研究员如何共同创作《亲爱的楼上邻居》

本文详细介绍了 Google DeepMind 与包括皮克斯前员工 Connie He 在内的专业动画师之间的合作项目,共同制作了名为《亲爱的楼上邻居》的动画短片。核心目标是探索如何将 Veo 和 Imagen 等生成式 AI 工具集成到高端创意工作流中,同时不牺牲艺术意图。团队在保持风格一致性和精确动作控制方面面临挑战,而传统的 Text-to-Video 模型难以解决这些问题。为此,研究人员开发了针对视觉概念的自定义微调技术以及新型 Video-to-Video 工作流,允许动画师使用粗略草图或“表演”作为 AI 生成的输入。该过程强调迭代优化、局部编辑和 4K 上采样,将 AI 视为合作伙伴而非“一键式”解决方案。这种伙伴关系让艺术家能够突破创意边界,同时也为研究人员提供了关于专业电影制作人需求的实际见解。










Director Connie He developed the story based on her personal experience with noisy neighbors. In her storyboards she envisioned a series of hallucinations that get more unhinged and ridiculous as the night progresses.





































A grid of twelve colorful painterly images of Ada in a variety of situations: swimming, rock climbing, boxing, playing soccer, DJing, playing with kids in a waterfall, gazing in wonder at the aurora in an arctic landscape, and more.

Images of Ada generated by Imagen after fine-tuning. The fine-tuned model helped the whole team explore Ada as a character.



















Using text-to-video with the fine-tuned Veo model produced scenes that looked like Ada, but their movement was random, uncontrolled, and often bizarre. Text alone can’t convey the nuance and specificity needed for narrative animated filmmaking.
























To create Ada’s hallucination of a howling dog, we started with a concept painting by Yingzong Xin, and used Veo image-to-video to bring it to life. Veo’s first pass (without fine-tuning) was too photorealistic for our film; so we used the fine-tuned version of Veo to bring the shot closer to our intended visual style. The video-to-video workflow allowed us to switch freely between Veo and traditional tools like Premiere.















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